ArchivesSpace at the University of Iowa

This is the third printing of the book that was first published in 1974. Some of the scores have the appearance of concrete poetry except musical notes substitute for words. -- Source of annotation: Marvin or Ruth Sackner.

Johnson explains the logical and mathematical techniques he uses in his musical compositions including finite and infinite automata, paper folding formula, and sequences taken from Pascal's triangle. -- Source of annotation: Marvin or Ruth Sackner.